The idea of producing an image, in which another image is being killed, took hold of me. In the photo scene from the White House’s Situation Room we see US officials watching a live broadcast from the execution mission against Osama Bin Laden, whom we know only as an iconic image. I had to reconstruct this powerful scene, which makes the observer commit a murder himself, to kill in his own mind, in his own imagination. This transfer of responsibility suggested by the original image is re-echoed. “Obama Osama Panorama” merges the real, depicted and imagined space and adds another, blank layer of space. “Obama Osama Panorama” is a complex architecture.